Creative Response to Heritage

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Published on Tuesday, 29 October 2013 00:19

At the Past Present Future Forum in Pomona held on 26^th Oct 2013, organised by Timeline and hosted this year by Noosa Museum, a new direction was explored with Storyteller and Performer Gail Robinson playing a central role. After each speaker, Gail provided an instant replay of their presentation in poem form.

The poems not only captured the content to the speaker's presentation, but also conveyed something of the feeling and meaning being communicated. It was a real revalation and something that we would like to do again. Enjoy the Past Present Future Forum poems by Gail Robinson here, below.

Timeline’s Director, Steve Chaddock explained the speakers were leaders in their field representing the University of Queensland, Queensland Museum, Noosa Biosphere, and Sunshine Coast Regional Council as well as independent businesses and individuals.

These writings were collected by storyteller and community artsworker, Gail Robinson in response to speakers at Noosa Heritage Forum 2013. 

On the day these works were re-told after each speaker, as an instant point of reflection…like little songs or poetry. 

Gail’s intentions were about capturing the cadence and rhythm of the speaker and connecting emotively with a different part of the brain.

 

 

 

 

Professor Ian Lilley - Past Present Future 

University of Queensland’s Aboriginal and Torres Strait Islander Studies Unit

 

Past is in the present and the present guides the future,

Bums are wearing out Angkor Wat, bums went sliding down Stonehenge

Family links us to place and stories…dairy farms, peg-legs, Railway Pde, 

Ken and Jessie’s farm, cows that kick

Uncle Ken says, “Can’t means won’t try”

Life lessons guide our future.

 

Place will change

What do we preserve?

And what the cost?

How much is worth the stab of loss?

Imagine it…unbearably dull…people stop caring

Imagine it…mindfulness about the past…learning about who we are

Imagine it…then fight for it!

 

Fortress mentality conserves monuments and place

Where is community?

Where are the people?

Where is the balance?

The past means different things to different people

Everyone needs to get a bit of what they want…

What do we want?

Can we imagine it?

 

Reconcile settler and Indigenous past?

Prosper from the knowing?

Australian historians…Australian archaeologists …are they trouble makers?

Or is it just a different approach?

Mindful, be mindful…historical value is not self-evident

History deals with time.

A long-term perspective seeks to understand

Humanity’s place in the Cosmos

Dance to the tune, learn the old steps,

Dance to the tune, learn the new ways

Bums are wearing out Angkor Wat, 

Bums went sliding down Stonehenge

Past is in the present and the present guides the future.

 

 

Dr Stephen Nichols - Understanding Queensland’s Aboriginal Cultural Heritage Act

Queensland Government’s Department of Aboriginal and Torres Strait Islander and Multicultural Affairs 

 

Cultural Heritage Acts- these laws apply to all of us

Different acts, different Departments

People get confused

 

Before 1967, there wasn’t really anything

People didn’t really think

Aboriginal people were around who knew

It’s very different now

There’s a Statement of Principles

Around ownership, management and giving back

 

The Act focuses on places and objects

Places have song-lines, objects have stories

These things are all around us

Shell middens, fish traps, scar trees, rocks, bora rings, art, rock art

They say Tewantin was built out of two large shell middens

These things are all around us

 

The Act gives some things back

The Act manages with a duty of care

Reasonable and practical

Courts and guidelines, native title

It can be controversial, it can cause angst

There are penalties.

 

There is another stolen generation

Ancestral remains

at some point in time everything will be returned

It goes to the heart of reconciliation

anger and guilt…

complex issues

anger and guilt and repatriation

The laws apply to all of us.

 

 

Dr Andrew Fairbairn - From Burra to Boncuklu: Australia’s distinctive contribution to global heritage practice

University of Queensland – School of Social Sciences Archaeology Program 

 

Obscure and strange sites gather archaeologists

Charred remains of plants tell us many things

We met around an oak fire

We look around for a grand narrative

 

Boncuklu is important

It helps us understand a small moment in time

We dig in a dusty Turkish paddock

Excavating

Buildings on mounds…little clusters of houses

We learn about the people who had lived there

They buried their dead under the floors of the houses

They wore beads around the arms or neck

They made baskets

They made tools and hunted

It used to be a wetland

We look for the grand narrative and this site changed the story

 

Sometimes it seems as if we are an academic spaceship

a bubble of post-colonial academia

 

We are reaching out to the community

We are finding other ways to tell the story

Wetlands are in living memory there

Farming practices are still under stress

 

We respect language…we respect culture

We hold true to the Burra Charter

We share the story of this place with the kids

and through them to the families

and through them to the community

Bottom-up, bottom-up

and we still fill in this grand narrative…

the Neolithic way

 

 

Dr Geraldine Mate - New directions for the QM Cultures and Histories program

Queensland Museum

 

We care for many artefacts, we care for many things.

Provenance, consulting with traditional owners

repatriations…we give back

Ancestral remains and sacred objects

Go back to country

 

We care for many artefacts, we care for many things

Working, researching and developing

Now we are working on the Book of the Dead

New ways to put it back together

We have hats and letters, butterflies and bags,

There’s machines and furniture, tools and toys, 

We have fingernails and feathers

We care for many artefacts, we care for many things

We try to find a public outcome

This week it’s Ludwig Leichhardt’s diaries

And Gwen Gillam’s dresses.

 

We care for many artefacts, we care for many things.

We gather the stories…we talk and we listen

stories around objects…stories around the times

stories around donations…

Blogs and twitters and virtual appearances

we challenge curating…we seek to find the middle ground

We care for many artefacts, we care for many things.

 

 

 

 

Dr Chris Clarkson - New Excavations at Madgedbebe (Malakunanja II): The Rich and Dynamic Archaeological Record of Australia’s Oldest Site

University of Queensland – School of Social Sciences Archaeology Program

 

Madgedbebe

It’s a real site… old, old

And incredibly important

There’s a huge fight to stop the mine

To protect, to look after…it’s not just political

 

Mirrar people, Mirrar heritage

We are developing another story, 

understanding past, long passed

Whose story has currency?

Whose story knows landscape?

 

The escarpment is in stone country

Savannah plains below

Wetlands, swamps and lagoons

Pandanus forest

And landscape has changed

Overtime landscape changes enormously

Rock art changes

Overtime rock art changes enormously

Paintings of animals change

Overtime animals change enormously

 

It’s what’s beneath the ground

Light trapped

in sand grains

The rock shelter changes

Overtime the rock shelter changes enormously

The further you go down

the further you go down

Dreaming Beings, shaking the Earth

Press on

Keep going down

 

Madgedbebe…it’s a real site… 

old, old

And incredibly important

 

 

 

Jeff Lambert - Black, white and shades of Grey

Retired Mapmaker and local Historian

 

Map-making and romance

Map-making and growing things

Retirement dreams of fishing

Slipped away when writing history

 

Black and white and shades of grey is writing local history

Rarely is anything what it seems, doubts slip in, opinions flourish

Anecdotal is important and record-keeping

Isn’t always local

Local makes it real.

Volunteers keep the stories alive

We are all built on shades of grey

 

Little things matter, Traveston or Traverston, Traviston completes the mix-up

But little things matter

People are born in places

People get married in places

People are buried in places

 

Traveston holds a 142 year old mistake around its name

Was it the map-maker’s fault all along?

Black and white and shades of grey is writing local history

and it just shows where dreams of fishing can lead

 

Phil Moran – Heritage in the Noosa Biosphere

Noosa Landcare

 

Biosphere is about community

A balanced relationship between man and environment

It’s about conservation – natural and man-made

It’s about sustainability- that’s a slippery soap

And creative capability- It’s about learning, research, and education

 

So what will happen with the elections?

Biosphere is about community

So what will happen with the future?

Biosphere is a balanced relationship

And if Biosphere is about community?

I guess the community will work it out

 

John Waldron - Gubbi Gubbi Gun’doo Yang’ga’man

Blue Sky View for Sunshine Coast Council

 

This work was about revitalising culture

Bark canoes…the old knowledge was lost round here

So we had to go look for it

We used swamp mahogany, stone wedges loosen the bark

A team worked on the project, finding old ways, re-telling the story

Learning together, learning from others

Carrying fire for future generations

 

Pettigrew said it took 24 steps to make a canoe

It’s best to get the bark in Spring, and it’s heavier than you think

There’s been a lot of learning, learning from artefacts, making connections

It takes time to learn traditions

 

This canoe carried culture

This canoe carried fire

This canoe carried disappointment

This canoe taught so much

 

This canoe carries past

This canoe carries present

This canoe carries future.

Miles Historical Village Museum identity

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Published on Monday, 28 October 2013 00:06

During the year we have been working with Miles Historical Village Museum in Queensland on a diverse project to uplift the interpretation. One of the early tasks was to recast the image or brand of the visitor attraction so that we could use this new 'look' in our interpretation, on interpretive panels and on publications.

 

The Village liked this new identity, and are actively applying for funding to create a plinth sign for the main entrance using our logo design. We made the most of the amazing streetscape inside the Museum on the logo, whilst at the same time keeping it simple enough to be easily recognisable.

Working with Norman Richards

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Published on Tuesday, 15 October 2013 06:13

We were very pleased to contribute recently to a submission to Sunshine Coast Council in response to a request for tenders. If the project is successful Timeline would be working closely with award winning building designer Norman Richards to develop a sustainable redeveloped centre for the Mary Cairncross Scenic Reserve alongside Architects Guymer Bailey. Timeline leads on interpretation design alongside a multi-disciplinary team of expert consultants. The local Maleny Reserve was given for the benefit of the Community by three local sisters from the Thynne family and the modern local community will be very involved in its future development.

The resreve protects an area of rainforest from development, protecting a habitat for fungi, plants and animals

Boncuklu Visitor Centre

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Published on Tuesday, 15 October 2013 05:56

Boncuklu Visitor Centre was built during the 2013 excavation season. It was rewarding to see it grow up through the hard work of builders Rasim and Ali. Everyone agreed that it is a quality addition to the site and village. A credit to the architect and expert timber workers.

Boncuklu Visitor Centre Temporary Fit Out

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Published on Tuesday, 15 October 2013 05:42

Another big part of the Turkey trip this year was to deliver a temporary fit out in the new Visitor Centre. This meant adjusting our work schedule and getting creative with the illustrations and other content that we had available. We were very pleased with the outcome, 7 bi-lingual panels now explain different aspects of the site to visitors. The panels were manufactured locally in Konya. The content provides excellent support for the site's guard, who provides access to the site and acts as a guide to many visitors outside the excavation season.